Ukifune, the last heroine of the Tale of Genji, wept repeatedly taking a look at the painting Niou no Miya painted and presented to her, while being loved by two men, namely Kaoru and Niou no Miya. She drowned herself immediately after that. The Kiritsubo Emperor was the very first person who wept looking at a painting in the Tale of Genji. It can, therefore, be pointed out that a composition of weeping at the sight of paintings is repeatedly employed in the first and the last love stories of the Tale of Genji. In this instance, the painting is described as a substitution for the lost beloved of the men, along with the reference to a substitute doll and Chang hen ge or a Song of Unending Sorrow aka Chougonka. That implies dynamics of the invisible is wound up and deployed in the Ukifune Story. In the chapter covering the act of Ukifune who made an appearance as a substitute doll, wept at the sight of the painting and left the mansion, again highlighted deception of those men continuingly chase after substitution for the loss. Moreover, the Tale of Genji which is symbolizing the desire of the woman in a depressed form and let her pass through the ritual of death, put Ukifune to face with her own desire. This was the newest and an important turning point of history of the Monogatari Literature.