Suzuki, N., Shoda, H., Matsubayashi, R., & Sakata, M.
SICE Journal of Control, Measurement, and System Integration 11(3) 263-269 May 2018 [Refereed]
This paper investigates the effect of a hearer's attitude toward a speaker's multimodal behaviors. Twenty-one university students, nine males and twelve females, participated in this experiment as speakers. Two females, aged 22 years old, performe...
Effects of live concerts on the audience's evaluation of violin performance: Overall and continuous ratings
Shoda H., Sakata M., & Williamon A.
Journal of Music Perception and Cognition 23(1) 35-55 Aug 2017 [Refereed]
We investigated the effect of live performance where the audience shares time and
place with a performer on the audienceʼs psychological evaluation of the performance. Each of 110 audience members evaluated the impression of either the live or rec...
In the present study, we examined the effects of correspondence between two information on personality (“perceiving” personality that is spontaneously generated by the image of character versus “described” personality that is provided verbally alo...
Yamaguchi, R., Shoda, H., Suzuki, N., & Sakata, M.
Japan Journal of Educational Technology 41(2) 125-135 May 2017 [Refereed]
In the present study, we explored characteristics of
the “dance teaching anxiety,” which is physical
education teacher’s anxiety to teach dance. We also
explored the effects of their years of teaching experience and their previous experience of da...
Exploring the cross-modal perception of face and voice through the lens of two-dimensional emotion space
Shoda H., Nitta H., Suzuki N., Kishimoto W., & Sakata M.
The Transactions of Human Interface Society 18(4) 339-352 Nov 2016 [Refereed]
Humans communicate emotions by both their faces and voices. The emotions are generally congruent but they sometimes conflict across modalities. We investigated the perception of such emotionally congruent and conflicting expressions through the le...
ダンス経験のない教員がダンスを教えるために：指導不安の定量化
山口 莉奈, 正田 悠, 鈴木 紀子, 阪田 真己子
日本認知科学会第33回大会発表論文集 670-675 Sep 2016
The human body listening to music performance: Listeners' bodily movements across public and recorded performances
Multimodal interaction in task-oriented collaboration: A case study of "Marshmallow challenge"
Suzuki N., Shoda H., Ito N., Inada K., & Sakata M.
IEICE Technical Report 116(185) 25-28 Aug 2016
We report the analyses of multiparty collaboration in the “Marshmallow challenge” task, by examining the relationship among task achievement, performance satisfaction, and multimodal interaction throughout the task. We recorded and analyzed the pa...
Psychomusicology: Music, Mind, and Brain 26(2) 167-178 May 2016 [Refereed]
It is a given that a live concert is fundamentally different from a recorded live performance, but we wanted to investigate in a controlled setting how different renditions of the same piece of music affected an audience. In our previous case stud...
A non-native Chinese speaker’s conversational Strategies at the first interaction with a Japanese native speaker
Liao Z., Wang B-J., Shoda H., & Sakata M.
IEICE Technical Report 116(31) 17-22 May 2016
“Contact situation” is the situation of speaking non-native language with the native speaker, in which we often experience “deviation” from the linguistic and/or the cultural norms. We explored how a Chinese woman (i.e., non-native speaker) would ...
We investigated how the audience member’s physiological reactions differ as a function of listening context (i.e., live versus recorded music contexts). Thirty-seven audience members were assigned to one of seven pianists’ performances and listene...
The performing body: Quantitative analysis of a violinist's body movement
Effects of the Presence of the Audience on the Violinist's Heart-Rate Variability and Complexity
Shoda H., Sakata M., & Williamon A.
IEICE Technical Report 114, HIP(483) 29-34 Mar 2015
Shoda and Adachi (2015) reported that the presence of the audience enhances the pianist's performance when he/she performs the well-learned piece. To understand the physiological mechanism of such the audience effect, we measured ten violinists' E...
Frontiers in Psychology 5(1564) 1-15 Jan 2015 [Refereed]
We explore the concept that artists perform best in front of an audience. The negative effects of performance anxiety are much better known than their related cousin on the other shoulder: the positive effects of “social facilitation.” The present...
表情と音声の情動知覚における視聴覚相互作用：情動判断と反応時間の分析.
正田 悠, 新田 晴, 鈴木 紀子, 岸本 和香, 阪田 真己子
日本認知科学会第31回大会発表論文集 151-167 Sep 2014
並んで歩く身体：発話が「足並み」へ及ぼす影響.
新田 晴, 阪田 真己子, 正田 悠, 鈴木 紀子
日本認知科学会第31回大会発表論文集 752-755 Sep 2014
Music is communicated visually: Modeling performer-to-audience communication in live piano performance.
Shoda H., Adachi M.
In M. K. Song (Ed.), Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th Biennial International Conference for Music Perception and Cognition and 5th Triennial Conference of the Asia Pacific Society for the Cognitive Sciences of Music 35-40 Aug 2014 [Refereed]
Multi-modal Analyses of Open Communication in the Radio Talk : Comparison between Novice and Skilled Speakers
Oshima Y., Shoda H., Sakata M., & Suzuki N.
IEICE Technical Report 114, HCS(189) 47-50 Aug 2014
"Open communication" is a type of performers-to-audience communication in which audience members perceive indirect messages from direct conversation among performers. Even in a situation such as a radio-duo show where audience members cannot direc...
Communication in Collaborative Creative Activity : The Sexual Differences
Nishimoto K., Shoda H., Sakata M., & Suzuki N.
IEICE Technical Report 114, HCS(189) 51-56 Aug 2014
We explored communicative activities across men and women in collaborative activity where multiple agents create objects without any blueprint. We also examined how each object was evaluated as a function of communicative activities. In the experi...
Time-series Analyses of Communication Channels in the Collaborative Reproduction of Paintings : Comparisons in Accordance with the Degree of Intimacy
Yao Y., Shoda H., Sakata M., & Suzuki N.
IEICE Technical Report 114, HCS(189) 41-45 Aug 2014
In the present study, we explored how two people converge their own imagery after they look an abstract art together. We examined how three communication channels (vocal, gestural, and painting actions) are differentiated as a function of the repe...
The pianist’s acoustical and motional expressions in the live performance of Schumann’s Traumerei.
Shoda H., Adachi M.
In A. Williamon, & W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013 709-714 Sep 2013 [Refereed]
Effects of melodic structure and meter on the sightreading performances of beginners and advanced pianists.
Adachi M., Takiuchi K., Shoda H.
In E. Cambouropoulos, C. Tsougras, P. Marvromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music 5-8 Jul 2012 [Refereed]
Effects of the listening context on the audience’s perceptions of artistry, expressiveness, and affective qualities in the piano performance.
Shoda H., Adachi M.
In E. Cambouropoulos, C. Tsougras, P. Marvromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music 925-929 Jul 2012 [Refereed]
Music Perception 29(3) 237-254 Feb 2012 [Refereed]
We explored how a pianist manipulates his upper body according to his interpretation of music. We asked a professional pianist to perform artistic, deadpan, and exaggerated renditions of two structurally contrasting pieces. The pianist’s affective...
Effects of the musical period on the pianist's body movement: Its time-series relationships with temporal expressions.
Shoda H., Adachi M.
In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition 843-848 Aug 2010 [Refereed]
ピアノ専攻生の身体動作における楽曲様式の効果.
正田 悠, 安達 真由美
日本音楽知覚認知学会2010年度春季研究発表会資料 65-70 May 2010
A case study of acoustical and movement variations in a piano performance.
Shoda H., Adachi M.
(Technical Report No. 59). Sapporo, Japan: Department of Psychology, Hokkaido University. Feb 2010
Time-series analysis of relationships between the pianist's body movement and the temporal expression for Romantic pieces.
Shoda H., Adachi M.
In C. Stevens, E. Schubert, B. Kruithof, K. Buckley, & S. Fazio (Eds.), Proceedings of the 2009 2nd International Conference on Music Communication Science 137-140 Dec 2009 [Refereed]
Emotional communication of a pianist's intended expression via acoustical and visual information.
Shoda H., Nakamura T., Draguna R. M., Kawase S., Katahira K., Yasuda S., Adachi M.
In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition 517-520 Aug 2008 [Refereed]
Psychological study of strong experiences in listening to music: Relationship between physical reactions and acoustic features of the music.
Yasuda S., Nakamura T., Draguna R. M., Kawase S., Katahira K., Shoda H.
In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition 496-499 Aug 2008 [Refereed]
ピアニストの意図した演奏表現の伝達：演奏音の音響特性ならびに演奏者の身体動作の分析.
正田 悠, 中村 敏枝, 安達 真由美
ヒューマンインタフェースシンポジウム2008論文集 29-36 Aug 2008 [Refereed]
Communication channels performers and listeners use: A survey study.
Kawase S., Nakamura T., Draguna R. M., Katahira K., Yasuda S., Shoda H.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science 76-79 Dec 2007 [Refereed]
Effects of a pianist's body movements on listeners’ impressions.
Shoda H., Nakamura T., Draguna R. M., Kawase S., Katahira K., Yasuda S.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science 143-146 Dec 2007 [Refereed]
Psychological study of strong experiences in listening to music: A relationship between partial and overall evaluations of physiological reactions.
Yasuda S., Nakamura T., Draguna R. M., Kawase S., Katahira K., Shoda H.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science 184-187 Dec 2007 [Refereed]
The role of body movement in co-performers’ temporal coordination.
Katahira K., Nakamura T., Kawase S., Yasuda S., Shoda H., Draguna R. M.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science 72-75 Dec 2007 [Refereed]
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