This paper attempts to reexamine the criticism on the "Taisho culturalists" in "the Attempt to modern histoy" by Junzo Karaki. Karaki criticises "Santaro's Diary" by Jiro Abe for its dilettantism. I divide the ideology of the culturalizum into the concept of the cultivation in the "Taisho culturalists" and in the next generation. I attempt to prove that Karaki really attempted to criticise not the concept of the cultivation in the "Taisho culturalists" but in the next generation. For that, I classify the cultivation into "the cultivation as lived" and "the cultivation as written". "The cultivation as lived" is the self-cultivation. "The cultivation as written" is the view of cultivation and the result of "the cultivation as lived". I attempt to examine how "the cultivation as written" is read.