Mitsuyo Hashida was born in Fukuoka, Japan. She finished a master degree of music at Sonology Department of Kunitachi College of Music at 2001, with composition of contemporary computer music, computer animation and programming under Takayuki Rai, Cort Lippe and Erik On'a. Some music works with MAX/ISPW or MAX/MSP of hers have been presented at ICMC 1999 in Beijing, the June in Buffalo 2001 in the State University of New York at Buffalo and world recitals of L. Graugaad, a flutist, in 2002. Also her animation work was selected and presented at the 25th SIGGRAPH in 1998.
Then she received a doctor of system engineering of Wakayama University. Now her interest has been in human recognition of expressive musical performance rendering. She has worked at the Research Center for Human Media of Kwansei Kwansei Gakuin University, and joins CrestMuse Project.
In this paper, we present a survey of automatic music generation systems from the viewpoint of creative process framework. According to Shneiderman's framework, a creative process consists of four phases: Collect, Relate, Create, and Donate. Regar...
"VirtualPhilharmony" is a conducting system focused on a sensation of conducting a real orchestra. It provides a player with the sensation by interaction between the player and V.P. The interaction is realized by "Concertmaster function" designed ...
Proceedings of the 9th Sound and Music Computing Conference, SMC 2012 Jan 2012 [Refereed]
The VirtualPhilharmony (VP) system conveys the sensation of conducting an orchestra to a user (a conductor). VPs performances are created through interaction between the conductor and orchestra, exactly like real performance. "Concertmaster functi...
Rencon (Performance Rendering Contest) は，表情豊かな演奏を生成するシステムの評価基盤の構築を目的として，2002 年から開催されてきた生成演奏の聴き比べコンテストである．本稿では、2011 年 ７ 月にパドヴァ大学にて開催された Sound and Music Computing (SMC) 2011 において開催した演奏表情付けコンテスト SMC-Rencon について紹介する。Rencon is an annual international c...
Proceedings of the 8th Sound and Music Computing Conference, SMC 2011 Jan 2011 [Refereed]
The Performance Rendering Contest (Rencon) is an annual international competition in which entrants present computer systems they have developed for generating expressive musical performances, which audience members and organizers judge. Recent ad...
Rencon (Performance Rendering Contest) は，表情豊かな演奏を生成するシステムの評価基盤の構築を目的として，2002年から開催されてきた生成演奏の聴き比べコンテストである．本稿では，これまでに開催されてきたRenconワークショップの概要について述べたうえで，本年の表情付けコンテストRencon 2010 (SIGMUS-Rencon) について紹介する．Rencon is an annual international competition at w...
計算機科学における研究の夢の一つとして人間と対峙できる機能の実現がある．その機能の実現度合いを評価する枠組みとして，人vs人のコンペティション方式を計算機科学での評価にも導入するというものがあり，Rencon以外にもロボカップやAI将棋対局など一般にも知られる公開イベントが運営されている．本稿では，これらの動向について紹介する．One of the main goal of AI studies is realizing competences that match humans. Som...
Proceedings of the 7th Sound and Music Computing Conference, SMC 2010 46 Jan 2010 [Refereed]
Music performance is processing to embody musical ideas in concrete sound, giving expression to tempo and dynamics and articulation to each note. Human compe-tence in music performance rendering is enhanced and fostered by supplementing a lack of ...
HASHIDA MITSUYO, KANDA RYO, ARITA SHOGO, KATAYOSE HARUHIRO
情報処理学会研究報告. EC, エンタテインメントコンピューティング = IPSJ SIG technical reports 13 A1-A4 May 2009
関西学院大学理工学部片寄研究室では，「ディレクタビリティ」「インタラクション」 をキーワードにしたコンテンツ制作研究 （CCD） グループが活動を行っている．本稿では，CCD グループの活動概要と，人間と音・映像とのインタラクティブパフォーマンスに焦点を当てて現在制作が進められている作品群を紹介する．The CCD group, a research group of Katayose lab., at Kwansei Gakuin University, has contributed ...
Music databases have been provided actively, with the progress of MIR technologies. However, the number of databases dealing with performance expression is small. Performance expression is one of the most important factors for formulating impressi...
Music is one of the most significant targets of video games, and a genre called "Rhythm action" has been a mainstream for this last decade. But in this couple of years, music games that enable users to compose or play music have been successfully ...
Affective Computing and Intelligent Interaction, Third International Conference and Workshops, ACII 2009, Amsterdam, The Netherlands, September 10-12, 2009, Proceedings 1-6 2009 [Refereed]
The purpose of this study is to analyze a compose process and an performance interpretation of a new piece, My Mozart in Sentiment which was presented as a set piece of Mozart-style at The 7th RENCON (Contest for Performance Rendering Systems), 25...
Rencon (Performance Rendering Contest) is an annual international competition at which entrants present the computer systems they have developed for generating expressive musical performances and audience members and organizers judge the performan...
Systems and multimedia contents, the goal of which is promotion and facilitation of communication, have been actively developed in the field of entertainment computing. Most of the other researches have been focused on enhancement of existing mean...
The computer(CPU) like a human has lately attracted considerable attention in the video game. The past studies report strategy-acquisition scheme for the board game such as shogi. However, there are few studies about these scheme applied in the vi...
The 7th Rencon (contest for performance rendering systems) will be held a special event of ICMPC10 that will be held in 2008 summer. There will be two sections in the Rencon musical contest at ICMPC10 : an autonomous section, and a type-in section...
The 7th Rencon (contest for performance rendering systems) will be held a special event of ICMPC10 that will be held in 2008 summer. There will be two sections in the Rencon musical contest at ICMPC10 : an autonomous section, and a type-in section...
ISMIR 2008, 9th International Conference on Music Information Retrieval, Drexel University, Philadelphia, PA, USA, September 14-18, 2008 489-494 2008 [Refereed]
Proceedings of the International Conference on Advances in Computer Entertainment Technology, ACE 2008, Yokohama, Japan, December 3-5, 2008 175-182 2008 [Refereed]
This paper describes a Performance Rendering System which can control multi generation processes, called "Itopul", that use weighting and edit parts of melody line. A case-Based Performance Rendering System which serchs similar parts of score and ...
Music Databases have been provided actively, with the progress of MIR technologies. Whereas, the number of databases dealing with performance expression is small. We have been preparing a music expression database CrestMusePEDB, as it might be uti...
The goal of this study is to build a unified framework for handling various music data used in music informatics research. Although various kinds of data are used in music informatics, no unified framework has been available for handling them. Cre...
This paper reports the latest two Rencon workshops : ICMC-Rencon(Barcelona) and ISMIR-Rencon(Victoria), which was held in 2005 and 2006, respectively. After discussing current problems in holding Rencon, this paper describes the future Rencon plan...
Music systems are roughly divided into ones with the generative goal and ones with the analytical goal. This paper discusses generative music systems, from the views of possibilities and problems of automatic processing. Then this paper addresses ...
While the expressive capability of music performance rendering systems greatly improved in the last few years, the rendition of multi-part ensembles still requires more detailed consideration. This paper presents the design and implementation of P...
While the expressive capability of music performance rendering systems greatly improved in the last few years, the rendition of multi-part ensembles still requires more detailed consideration. This paper presents the design and implementation of P...
Journal of Japan Society of Kansei Engineering 7(2) 327-336 2007
This paper describes two experiments of listeners' recognition of musical grouping based on performance expression, using the beginning of Beethoven's eighth piano sonata, op. 13, “Pathetique”. We suppose that there are two kinds of li...
Transactions of Japan Society of Kansei Engineering 7(2) 327-336 2007 [Refereed]
This paper describes two experiments of listeners' recognition of musical grouping based on performance expression, using the beginning of Beethoven's eighth piano sonata, op. 13, “Pathetique”. We suppose that there are two kinds of li...
Proceedings of the International Conference on Advances in Computer Entertainment Technology, ACE 2007, Salzburg, Austria, June 13-15, 2007 296-297 2007 [Refereed]
YAMAOKA Akira, MORI Yuta, SUDA Kazuya, HATTAHARA Shingo, KURAMOTI Takeo, HASHIDA Mitsuyo, KATAYOSE Haruhiro
IPSJ SIG technical reports 3 29-34 Mar 2006
The play of the drum is roughly popular is reported in musicotherapy in recent years. Brain activity when drum is played is analyzed by f-NIRS, and influence of sound and vibration, and influence of effect of place are examined further as a factor...
This paper reports NIME04 Rencon (Performance Rendering Contest) and its paper session held at the International Conference on New Interfaces for Musical Expression. This paper shows the result of NIME04 Rencon with some statistical analysis, and ...
This paper proposes a musical interpretation model for Poly-phrase Ensemble : PopE. A polyphonic musical piece has to be rendered as it may exhibits independent expression of each voice, as well as considered synchronization. PopE, considering "at...
This paper introduces three examples of research activities, in which the authors have been engaged, in terms of cognitive music informatics: 1) Measurement of immersive experience in music using NIRS, 2) Experiments on perception of musical group...
In this paper, we describe expansion of GTTM Grouping Preference Rules for involving performance expression parameters. In GTTM, the author is not described explicitly about threshold for rule applying. We adjust the threshold value to each listen...
Transactions of Information Processing Society of Japan 44(11) 2728-2736 Nov 2003
This paper reports a performance interface: sfp, which enables us to enjoy music performances with one finger tap. Sfp utilizes performance data that contain expressions, and schedules the notes with a PID control manner. It enables us to enjoy mu...
Transactions of Information Processing Society of Japan 44(11) 2728-2736 Nov 2003 [Refereed]
This paper reports a performance interface: sfp, which enables us to enjoy music performances with one finger tap. Sfp utilizes performance data that contain expressions, and schedules the notes with a PID control manner. It enables us to enjoy mu...
情報処理学会研究報告. HI, ヒューマンインタフェース研究会報告 106 95-102 Nov 2003
A Music player performs music with a goal to convey the audience the structure that she/he conceives. However, the audiences do not always find the structure as the player intends. The authors are based on a standpoint that there is no right ways ...
情報処理学会研究報告. HI, ヒューマンインタフェース研究会報告 106 103-109 Nov 2003
This paper describes a computational model which estimates notes corresponding to the apex in a phrase, based on Hoshina's theory, which deals with the way to express phrases with giving an apex. The theory illustrate concrete examples of the apic...
This paper proposes an expression model of slurring and considers the effectiveness of the model. This paper describes 1) an investigation of the model contribution to performance rendering, 2) an analysis of slur parameters and classification of ...
This paper reports a performance system: iFP, which supports 1) real-time playing include morphing, and 2) visualization of expressions. iFP is the music interface, the player of which control music performances with tapping and handling sliders, ...
We designed and implemented "WebMorton" -- a web system based on "Morton" that morph values of parameterized musical expression between two performances. WebMorton can also display an identifying boundary of each user. These functions enable every...
This paper proposes a model of expression of musical phrases based on sluring for performance rendering. It has been recognized that detecting phrases is the must important to analyze group of music. We think that slur has very closely-linked to p...
This paper reports the outline of the FIT 2002 Rencon (performance RENdering CONtest for piano) workshop, held as a special event of the Forum on Information and Technology in September, 2002. For the musical contest, 10 entree pieces are evaluate...
The first RECON (Performance Rendering Contest) workshop was held as a satellite workshop of International Conference on Auditory Display. This paper reports the outline of the workshop and discusses the environmental resources required for the pe...
This paper describes an analysis of music performance rendering of differences between manual rendering and rule-based rendering. We rendered two types of MIDI sequences; we first made a MIDI sequence by manual with complete expressions, and then ...
"DIPS"(Digital Image Processing with Sound), developed by Shu Matsuda, is a set of jMax external objects for the real-time image processing. The DIPS makes it possible to handle image processing including OpenGL programming in the object-oriented ...
我々は，音楽情報科学・音楽知覚認知・音楽学等における共通研究基盤の構築を目的として，伝統的西洋音楽におけるピアノ演奏を対象とした演奏表情データベースCrestMusePEDBの構築を進めてきた．本稿では，約５年間をかけて集積した（１）既存名演奏の採譜に基づくMIDIレベルの演奏逸脱情報，（２）楽曲に対する階層的フレーズ構造や「頂点」に関する音楽構造情報，（３）（２）に基づいて収録した演奏情報について概観する．We have constructed a music expression da...
Rencon (Performance Rendering Contest) は，表情豊かな演奏を生成するシステムの評価基盤の構築を目的として，2002 年から開催されてきた生成演奏の聴き比べコンテストである．本稿では、2011 年 ７ 月にパドヴァ大学にて開催された Sound and Music Computing (SMC) 2011 において開催した演奏表情付けコンテスト SMC-Rencon について紹介する。Rencon is an annual international c...
Rencon (Performance Rendering Contest) は，表情豊かな演奏を生成するシステムの評価基盤の構築を目的として，2002年から開催されてきた生成演奏の聴き比べコンテストである．本稿では，これまでに開催されてきたRenconワークショップの概要について述べたうえで，本年の表情付けコンテストRencon 2010 (SIGMUS-Rencon) について紹介する．Rencon is an annual international competition at w...
計算機科学における研究の夢の一つとして人間と対峙できる機能の実現がある．その機能の実現度合いを評価する枠組みとして，人vs人のコンペティション方式を計算機科学での評価にも導入するというものがあり，Rencon以外にもロボカップやAI将棋対局など一般にも知られる公開イベントが運営されている．本稿では，これらの動向について紹介する．One of the main goal of AI studies is realizing competences that match humans. Som...
HASHIDA MITSUYO, KANDA RYO, ARITA SHOGO, KATAYOSE HARUHIRO
研究報告エンタテインメントコンピューティング（EC） 15 May 2009
関西学院大学理工学部片寄研究室では，「ディレクタビリティ」「インタラクション」 をキーワードにしたコンテンツ制作研究 （CCD） グループが活動を行っている．本稿では，CCD グループの活動概要と，人間と音・映像とのインタラクティブパフォーマンスに焦点を当てて現在制作が進められている作品群を紹介する．The CCD group, a research group of Katayose lab., at Kwansei Gakuin University, has contributed ...
Music is one of the most significant targets of video games, and a genre called "Rhythm action" has been a mainstream for this last decade. But in this couple of years, music games that enable users to compose or play music have been successfully ...
The purpose of this study is to analyze a compose process and an performance interpretation of a new piece, My Mozart in Sentiment which was presented as a set piece of Mozart-style at The 7th RENCON (Contest for Performance Rendering Systems), 25...
Rencon (Performance Rendering Contest) is an annual international competition at which entrants present the computer systems they have developed for generating expressive musical performances and audience members and organizers judge the performan...
Systems and multimedia contents, the goal of which is promotion and facilitation of communication, have been actively developed in the field of entertainment computing. Most of the other researches have been focused on enhancement of existing mean...
The computer(CPU) like a human has lately attracted considerable attention in the video game. The past studies report strategy-acquisition scheme for the board game such as shogi. However, there are few studies about these scheme applied in the vi...
The 7th Rencon (contest for performance rendering systems) will be held a special event of ICMPC10 that will be held in 2008 summer. There will be two sections in the Rencon musical contest at ICMPC10 : an autonomous section, and a type-in section...
The 7th Rencon (contest for performance rendering systems) will be held a special event of ICMPC10 that will be held in 2008 summer. There will be two sections in the Rencon musical contest at ICMPC10 : an autonomous section, and a type-in section...
This paper describes a Performance Rendering System which can control multi generation processes, called "Itopul", that use weighting and edit parts of melody line. A case-Based Performance Rendering System which serchs similar parts of score and ...
Music Databases have been provided actively, with the progress of MIR technologies. Whereas, the number of databases dealing with performance expression is small. We have been preparing a music expression database CrestMusePEDB, as it might be uti...
This paper reports the latest two Rencon workshops : ICMC-Rencon(Barcelona) and ISMIR-Rencon(Victoria), which was held in 2005 and 2006, respectively. After discussing current problems in holding Rencon, this paper describes the future Rencon plan...
The goal of this study is to build a unified framework for handling various music data used in music informatics research. Although various kinds of data are used in music informatics, no unified framework has been available for handling them. Cre...
Music systems are roughly divided into ones with the generative goal and ones with the analytical goal. This paper discusses generative music systems, from the views of possibilities and problems of automatic processing. Then this paper addresses ...
In the 71st SIGMUS meeting (Aug. 1〜3, 2007, Nagasaki), we organize a panel discussion session featuring freshly graduated doctors responsible for future music information processing. The article presents the messages and opinions of the moderator ...
In the 71st SIGMUS meeting (Aug. 1〜3, 2007, Nagasaki), we organize a panel discussion session featuring freshly graduated doctors responsible for future music information processing. The article presents the messages and opinions of the moderator ...
YAMAOKA Akira, MORI Yuta, SUDA Kazuya, HATTAHARA Shingo, KURAMOTI Takeo, HASHIDA Mitsuyo, KATAYOSE Haruhiro
IPSJ SIG technical reports 13 Mar 2006
The play of the drum is roughly popular is reported in musicotherapy in recent years. Brain activity when drum is played is analyzed by f-NIRS, and influence of sound and vibration, and influence of effect of place are examined further as a factor...
This paper reports NIME04 Rencon (Performance Rendering Contest) and its paper session held at the International Conference on New Interfaces for Musical Expression. This paper shows the result of NIME04 Rencon with some statistical analysis, and ...
This paper proposes a musical interpretation model for Poly-phrase Ensemble : PopE. A polyphonic musical piece has to be rendered as it may exhibits independent expression of each voice, as well as considered synchronization. PopE, considering "at...
This paper introduces three examples of research activities, in which the authors have been engaged, in terms of cognitive music informatics: 1) Measurement of immersive experience in music using NIRS, 2) Experiments on perception of musical group...
In this paper, we describe expansion of GTTM Grouping Preference Rules for involving performance expression parameters. In GTTM, the author is not described explicitly about threshold for rule applying. We adjust the threshold value to each listen...
A Music player performs music with a goal to convey the audience the structure that she/he conceives. However, the audiences do not always find the structure as the player intends. The authors are based on a standpoint that there is no right ways ...
This paper proposes an expression model of slurring and considers the effectiveness of the model. This paper describes 1) an investigation of the model contribution to performance rendering, 2) an analysis of slur parameters and classification of ...
This paper reports a performance system: iFP, which supports 1) real-time playing include morphing, and 2) visualization of expressions. iFP is the music interface, the player of which control music performances with tapping and handling sliders, ...
This paper proposes a model of expression of musical phrases based on sluring for performance rendering. It has been recognized that detecting phrases is the must important to analyze group of music. We think that slur has very closely-linked to p...
We designed and implemented "WebMorton" -- a web system based on "Morton" that morph values of parameterized musical expression between two performances. WebMorton can also display an identifying boundary of each user. These functions enable every...
This paper reports the outline of the FIT 2002 Rencon (performance RENdering CONtest for piano) workshop, held as a special event of the Forum on Information and Technology in September, 2002. For the musical contest, 10 entree pieces are evaluate...
The first RECON (Performance Rendering Contest) workshop was held as a satellite workshop of International Conference on Auditory Display. This paper reports the outline of the workshop and discusses the environmental resources required for the pe...
This paper describes an analysis of music performance rendering of differences between manual rendering and rule-based rendering. We rendered two types of MIDI sequences; we first made a MIDI sequence by manual with complete expressions, and then ...
"DIPS"(Digital Image Processing with Sound), developed by Shu Matsuda, is a set of jMax external objects for the real-time image processing. The DIPS makes it possible to handle image processing including OpenGL programming in the object-oriented ...
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