Post-3/11 mourning films have thus far gained little scholarly attention. This paper aims to correct that imbalance by analyzing a novel and three films that deal with loss and absence: Tendō Arata’s The Mourner and its film adaptation by Tsutsumi...
Reconstruction: Studies in Contemporary Culture 16(2) Aug 2016 [Refereed]
It is a well-known secret that Japanese filmmaker Kinoshita Keisuke had homosexual leanings and that some of his films include strongly intimate moments between male characters whose relationships appear rather homoerotic from our current perspect...
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