Haruka Shoda

J-GLOBAL         Last updated: Nov 7, 2017 at 13:39
 
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Name
Haruka Shoda
Affiliation
Ritsumeikan University
Section
Research Organization of Science and Technology
Research funding number
00724361

Education

 
Apr 2010
 - 
Mar 2013
Doctoral Course, Graduate School of Letters, Hokkaido University
 
Apr 2008
 - 
Mar 2010
Master Course, Graduate School of Letters, Hokkaido University
 
Apr 2004
 - 
Mar 2008
Bachelor Course, School of Human Sciences, Osaka University
 

Academic & Professional Experience

 
Oct 2017
 - 
Today
Part-time lecturer, Faculty of Sport and Health Science, Ritsumeikan University
 
Apr 2017
 - 
Today
Post-doctoral Fellow, Research Organization of Science and Technology, Ritsumeikan University
 
Apr 2016
 - 
Mar 2017
R-GIRO
 
Oct 2014
 - 
Mar 2017
Part-time lecturer, Faculty of Culture and Information Science, Doshisha University
 
Oct 2013
 - 
Mar 2014
Post-doctoral Fellow, Centre for Performance Science, Royal College of Music
 
Apr 2013
 - 
Mar 2016
JSPS Research Fellow (PD)
 
Apr 2010
 - 
Mar 2013
JSPS Research Fellow (DC1)
 

Published Papers

 
Multimodal interaction in task-oriented collaboration: A case study of "Marshmallow challenge"
Suzuki, N., Shoda, H., Ito, N., Inada, K., & Sakata, M.
116(185) 25-28   Aug 2016
The human body listening to music performance: Listeners' bodily movements across public and recorded performances
MA2016(17) 19-24   Aug 2016
Yamaguchi, R., Shoda, H., Suzuki, N., & Sakata, M.
Lecture Notes in Computer Science   9735 511-517   Jul 2016   [Refereed]
Suzuki, N., Shoda, H., Sakata, M., & Inada, K.
Lecture Notes in Computer Science   9735 81-89   Jul 2016   [Refereed]
Shoda, H. Nishimoto,K., Suzuki, N., Sakata,M., & Ito, N.
Lecture Notes in Computer Science   9735 336-345   Jul 2016   [Refereed]
Shoda, H., Adachi, M.
Psychomusicology: Music, Mind, and Brain   26(2) 167-178   Jun 2016   [Refereed]
Shoda, H., Adachi, M., & Umeda, T.
PLoS ONE   11(4)    Apr 2016   [Refereed]
Exploring the cross-modal perception of face and voice through the lens of two-dimensional emotion space
Shoda, H., Nitta, H., Suzuki, N., Kishimoto, W., & Sakata, M.
18(4) 339-352   2016   [Refereed]
The performing body: Quantitative analysis of a violinist's body movement
Shoda, H., & Sakata, M.
4-8   Nov 2015   [Invited]
音楽演奏における観客効果: 演奏者の心拍,不安および第三者評価の分析.
正田悠, 阪田真己子, Williamon, A.
日本認知科学会第32回大会発表論文集   101-107   Sep 2015   [Refereed]
三者間の共同創作における言語・非言語行動の分析?作品の独創性への影響
鈴木紀子・正田悠・西本光志・阪田真己子・伊藤紀子
日本認知科学会第32回大会発表論文集   887-890   Sep 2015   [Refereed]
ダンス必修化に伴う教員の不安構造の分析
山口莉奈・正田悠・鈴木紀子・阪田真己子
日本認知科学会第32回大会発表論文集   309-312   Sep 2015   [Refereed]
正田悠, 新田晴, 鈴木紀子, 岸本和香, 阪田真己子
認知科学   22(3) 480-485   Sep 2015
Suzuki, N., Oshima, Y., Shoda, H., Sakata, M., Ito, N.
Lecture Notes in Computer Science   9185 490-499   Aug 2015   [Refereed]
Shoda, H., Yao, T., Suzuki, N., Sakata, M.
Lecture Notes in Computer Science   9184 379-388   Aug 2015   [Refereed]
Sakata, M., Suzuki, N., Shirai, K., Shoda, H., Yamamoto, M, Sugio, T.
Lecture Notes in Computer Science   9171 503-513   Aug 2015   [Refereed]
聴取文脈が音楽演奏の評価に及ぼす影響:生演奏場面と音のみ聴取場面の比較.
正田悠, 阪田真己子, Williamon, A.
日本音楽知覚認知学会資料   JSMPC2015(1) 27-32   May 2015
ヴァイオリン演奏者の心拍変動および複雑性に聴衆の存在が及ぼす影響.
正田悠, 阪田真己子, Williamon, A.
IEICE Technical Report   114, HIP(483) 29-34   Mar 2015
Shoda, H., Adachi, M.
Frontiers in Psychology   5(1564) 1-15   Jan 2015   [Refereed]
並んで歩く身体:発話が「足並み」へ及ぼす影響.
新田晴, 阪田真己子, 正田悠, 鈴木紀子
日本認知科学会第31回大会発表論文集   752-755   2014
表情と音声の情動知覚における視聴覚相互作用:情動判断と反応時間の分析.
正田悠, 新田晴, 鈴木紀子, 岸本和香, 阪田真己子
日本認知科学会第31回大会発表論文集   151-167   2014
共同創作活動におけるコミュニケーション行動:性別による比較.
西本光志, 正田悠, 阪田真己子, 鈴木紀子
IEICE Technical Report   114, HCS(189) 51-56   2014
ラジオにおけるオープンコミュニケーション:初心者と経験者の比較.
大島優, 正田悠, 阪田真己子, 鈴木紀子
IEICE Technical Report   114, HCS(189) 47-50   2014
共同模写作業におけるコミュニケーションチャネルの時系列変化:親密度の違いによる比較.
八尾友揮, 正田悠, 阪田真己子, 鈴木紀子
IEICE Technical Report   114, HCS(189) 41-45   2014
Music is communicated visually: Modeling performer-to-audience communication in live piano performance.
Shoda, H., Adachi, M.
In M. K. Song (Ed.), Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th Biennial International Conference for Music Perception and Cognition and 5th Triennial Conference of the Asia Pacific Society for the Cognitive Sciences of Music   35-40   2014   [Refereed]
The pianist’s acoustical and motional expressions in the live performance of Schumann’s Traumerei.
Shoda, H., Adachi, M.
In A. Williamon, & W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013   709-714   2013   [Refereed]
Shoda, H., Adachi, M.
Music Perception   29(3) 237-254   Feb 2012   [Refereed]
Effects of melodic structure and meter on the sightreading performances of beginners and advanced pianists.
Adachi, M., Takiuchi, K., Shoda, H.
In E. Cambouropoulos, C. Tsougras, P. Marvromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music   5-8   2012   [Refereed]
Effects of the listening context on the audience’s perceptions of artistry, expressiveness, and affective qualities in the piano performance.
Shoda H., Adachi, M.
In E. Cambouropoulos, C. Tsougras, P. Marvromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music   925-929   2012   [Refereed]
A case study of acoustical and movement variations in a piano performance.
Shoda, H., Adachi, M.
(Technical Report No. 59). Sapporo, Japan: Department of Psychology, Hokkaido University.      Feb 2010
Effects of the musical period on the pianist's body movement: Its time-series relationships with temporal expressions.
Shoda H., Adachi, M.
In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition   843-848   2010   [Refereed]
Time-series analysis of relationships between the pianist's body movement and the temporal expression for Romantic pieces.
Shoda H., Adachi, M.
In C. Stevens, E. Schubert, B. Kruithof, K. Buckley, & S. Fazio (Eds.), Proceedings of the 2009 2nd International Conference on Music Communication Science   137-140   2009   [Refereed]
ピアニストの意図した演奏表現の伝達:演奏音の音響特性ならびに演奏者の身体動作の分析.
正田悠, 中村敏枝, 安達真由美
ヒューマンインタフェースシンポジウム2008論文集   29-36   2008   [Refereed]
Emotional communication of a pianist's intended expression via acoustical and visual information.
Shoda, H., Nakamura, T., Draguna, R. M., Kawase, S., Katahira, K., Yasuda, S., Adachi, M.
In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition   517-520   2008   [Refereed]
Psychological study of strong experiences in listening to music: Relationship between physical reactions and acoustic features of the music.
Yasuda, S., Nakamura, T., Draguna, R. M., Kawase, S., Katahira, K., Shoda, H.
In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition   496-499   2008   [Refereed]
The role of body movement in co-performers’ temporal coordination.
Katahira, K., Nakamura, T., Kawase, S., Yasuda, S., Shoda, H., Draguna, R. M.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science   72-75   2007   [Refereed]
Communication channels performers and listeners use: A survey study.
Kawase, S., Nakamura, T., Draguna, R. M., Katahira, K. Yasuda, S., Shoda, H.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science   76-79   2007   [Refereed]
Effects of a pianist's body movements on listeners’ impressions.
Shoda, H., Nakamura, T., Draguna, R. M., Kawase, S., Katahira, K., Yasuda, S.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science   143-146   2007   [Refereed]
Psychological study of strong experiences in listening to music: A relationship between partial and overall evaluations of physiological reactions.
Yasuda, S., Nakamura, T., Draguna, R. M., Kawase, S., Katahira, K., Shoda, H.
In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the Inaugural International Conference on Music Communication Science   184-187   2007   [Refereed]

Books etc

 
Body Movement(Chap. 15, The science and psychology of music performance: Creative strategies for teaching and learning)
Haruka Shoda, & Shuji Morishita (Part:Joint Translation, pp. 370-394)
Seishin Shobo   2011   
Music medicine(Chap. 6, The science and psychology of music performance: Creative strategies for teaching and learning)
Haruka Shoda, & Masayuki Sato (Part:Joint Translation, pp. 125-145)
Seishin Shobo   2011   

Conference Activities & Talks

 
Heart-rate variability and complexity in live violin performance(口頭)
Shoda, H., Sakata, M., & Williamon, A.
International Symposium on Performance Science 2015   Sep 2015   Ryukoku University
Verbal and nonverbal skills in open communication: Comparing experienced and inexperienced radio duos(口頭)
Suzuki, N., Oshima, Y., Shoda, H., Sakata, M., & Ito, N.
The 17th International Conference on Human-Computer Interaction   Aug 2015   The Westin Bonaventure Hotel
Exploring how people collaborate with a stranger: Analyses of verbal and nonverbal behaviors in abstract art reproduction(口頭)
Shoda, H., Yao, T., Suzuki, N., & Sakata, M.
The 17th International Conference on Human-Computer Interaction   Aug 2015   The Westin Bonaventure Hotel
How do Japanese people return a greeting with a bow?(口頭)
Sakata, M., Suzuki, N., Shirai, K., Shoda, H., Yamamoto, M, & Sugio, T.
The 17th International Conference on Human-Computer Interaction   Aug 2015   The Westin Bonaventure Hotel
Music is communicated visually: Modeling performer-to-audience communication in live piano performance(口頭)
Shoda, H., & Adachi, M.
The 13th International Conference on Music Perception and Cognition   Aug 2014   Yonsei University
Modeling performer-to-audience communication in live piano performance(招待講演) [Invited]
Shoda, H.
CPS Meeting   Feb 2014   The Royal College of Music
The pianist's acoustical and motional expressions in the live performance of Schumann's Traumerei(口頭)
Shoda, H., & Adachi, M.
International Symposium on Performance Science 2013   Aug 2013   University of Music and Performing Arts
Effects of the listening context on the audience's perceptions of artistry, expressiveness, and affective qualities in the piano performance(ポスター)
Shoda, H., & Adachi, M.
The 12th International Conference on Music Perception and Cognition   Jul 2012   Porto Palace Hotel
Effects of melodic structure and meter on the sightreading performances of beginners and advanced pianists(口頭)
Adachi, M., Takiuchi, K., & Shoda, H.
The 12th International Conference on Music Perception and Cognition   Jul 2012   Porto Palace Hotel
Effects of the musical period on the pianist's body movement: Its time-series relationships with temporal expressions(ポスター)
Shoda, H., & Adachi, M.
The 11th International Conference on Music Perception and Cognition   Aug 2010   University of Washington

Awards & Honors

 
Nov 2014
Presentation Award, Japanese Cognitive Science Society
 
Apr 2010
Exemption from Repayment of the Entire Lone for Graduate School Students with Outstanding Results, Japan Student Service Organization
 
Mar 2008
Award of Faculty of Human Sciences, Osaka University
 

Research Areas

 
 

Research Grants & Projects

 
Grant-in-Aid for JSPS Fellows
Project Year: Apr 2013 - Mar 2016    Investigator(s): Haruka Shoda
Grant-in-Aid for JSPS Fellows
Project Year: Apr 2010 - Mar 2013    Investigator(s): Haruka Shoda